Trunk2026
Black steel · 260 × 120 × 80 cm
Works
Object number 52026
Black steel · 230 × 50 × 70 cm
Exposition2026
Black steel · 100 × 40 × 40 cm
System2024
Welded steel · 86 × 36 × 27 cm
Visit2023
Black steel, bronze, wood · 51 × 12 cm
D0032020
Bronze · 210 × 70 × 70 cm
While2019
Black steel · 186 × 90 × 80 cm
Object number 22018
Black steel · 75 × 40 × 200 cm
Wreck2017
Black steel · 75 × 75 × 65 cm
Section2017
Black steel · 105 × 54 × 45 cm
One and half of wheel2016
Black steel · 280 × 225 × 240 cm
Untitled 12014
Black steel · 207 × 130 × 115 cm
Geometry2012
Black steel · 430 × 270 × 250 cm
Object number 62026
Black steel · 195 × 70 × 105 cm
Object number 42026
Black steel · 195 × 55 × 50 cm
Synergy2025
Welded steel · 197 × 95 × 65 cm
MS-RZ0022023
Black steel, stainless steel, bronze, LED strip · 100 × 75 × 15 cm
MS-RZ0012023
Black steel, stainless steel, bronze, LED strip · 100 × 100 × 20 cm
D0022020
Black steel · 350 × 250 × 550 cm
D0012019
Black steel · 280 × 200 × 350 cm
Object number 32018
Black steel · 60 × 80 × 140 cm
Object number 12018
Black steel · 60 × 50 × 160 cm
Symbiosis2017
Black steel · 105 × 75 × 60 cm
Untitled 32016
Black steel · 45 × 45 × 40 cm
Untitled 22015
Black steel · 130 × 225 × 95 cm
Perpendicular2014
Black steel · 175 × 105 × 105 cm
About
In my work I focus on the relationship between form, space and movement. I am interested in the moment when a static structure begins to suggest the possibility of motion, and a heavy material appears light and suspended in space.
For me, geometry is a tool of reduction and order, which I often confront with organic forms, a soft line and controlled deformation. I work with basic elements — line, plane and solid — building from their mutual relations forms that are economical yet full of inner tension. I do not depict movement literally. I try to evoke its impression through direction, proportion, rhythm and the arrangement of elements.
I work primarily with steel — a heavy, durable material associated with construction. Its physical obviousness is my starting point. I am interested in the possibility of breaking it: creating an object whose real weight contradicts its visual lightness, whose stability contradicts a sense of potential movement, and whose construction contradicts an impression of suspension.
I treat sculpture as a system of tensions and balances. Every element affects the others, and a small change of proportion, direction or centre of gravity can change how the whole form is perceived. It is on this border between physical stillness and visual movement that I find the essence of my work.
I deliberately limit my means of expression. Simplicity is not an end in itself, but a way of focusing attention on the relations within the form. Execution matters as much as the idea — precision of cutting, proportions, the rhythm of elements and the quality of joints are not merely technical matters, but part of the sculpture’s expression.
I strive to create forms that are simple, clear and economical, in which construction is no longer only a way of building an object but becomes a carrier of tension, balance and potential movement.
Exhibitions
8 solo · 41 group
- Współbrzmienia National Forum of Music, Wrocław 01.09–31.12
- 100 × 100 × 100 × 100. Sculpture at Universities in the Central European Region Ladislav Sutnar Gallery, Pilsen, Czech Republic 15.07–20.08
- Między salonem a ogrodem City Museum, Dom Gerharta Hauptmanna, Jelenia Góra 07–28.04
Contact
Get in touch regarding sculptures, exhibitions, and artistic collaborations.